HOMME LESS is about the underbelly of the American Dream, the hidden backyard of our society. Mark’s life stands as a metaphor for the struggle of the vanishing middle class in America. But it’s also a film about the relationship between New York City and one of its residents. New York is not simply a beautiful backdrop for this story. She’s the antagonist that dictates the direction Mark’s life is going in. The joy and pain, the love and hate, the success and denial New York is teasing him with, the hardship he is going through in order to stay in her grace and the inventiveness he comes up with to be with her are all unique.
Mark walks the streets of Manhattan looking like a millionaire, wearing designer suits and expensive leather shoes. He seems to be well off, and works in the prestigious fashion and movie business. He is eloquent, charming and good looking, and obviously has a lot going for him. But while during the day he pursues a ‘normal’ life, late at night he goes to a place where the American Dream has turned into a nightmare.
HOMME LESS captures a raw and unfiltered moment in time, our time, and raises the question of how far are we from losing everything, even our homes? How often do we have to pretend that everything is fine in order to keep up the facade of being a well-off member of society? And how far do we go to take the financial pressure off our shoulders to live a more carefree life, a life we aspire to live?
What went wrong in Mark’s life? How is he able to keep up his facade of success and fool everyone? What keeps him from going under? What motivates him to put up with this rather unthinkable situation? What were and are his hopes and desires in life?
Mark stands lost and alone in the midst of eight million dreams, balanced between the glamorous surfaces of this vibrant and inspiring city and its far from glamorous hidden backyard. He is the HOMME LESS.