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MARSHAWN LYNCH: A HISTORY

DIRECTED BY DAVID SHIELDS

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A groundbreaking documentary about a silence that isn’t really a silence.
— Claudia Rankine, Author of Citizen
I couldn’t turn it off—smart, alive, brilliantly arranged, utterly fascinating.
— Guy Maddin, Emmy Award-winning director of The Heart of the World
A call to arms and a rebuttal to all that’s wrong in the world. Thrilling, brilliant, and necessary.
— Russell Harper, Author of Cut
Lynch: A History opened my eyes to a way of seeing Marshawn Lynch in a wider context. This film is different and real—just like Marshawn, who is as genuine as they come.
— Kenny Mayne, co-host, SportsCenter/ESPN
Finally, the uniqueness of Marshawn Lynch is revealed: he is his own man, his own voice, a complete individual unbeholden to the corporate PR needs of the league. Lynch is an original; so is the movie, which I loved.
— Ron Shelton, director of White Men Can’t Jump
This is a movie that gets Marshawn Lynch’s greatness. I’m in.
— Danny Glover
Smart, alive, brilliantly arranged, utterly fascinating.
— Guy Maddin, Emmy Award-winning director of The Heart of the World
An incredible piece of storytelling, forgoing all the tedium of documentary norms. Hilarious and devastating.
— Jonathan Lethem, author of Motherless Brooklyn
Marshawn Lynch: A History is a category of its own. A kind of Godarian rant (if Godard were an NFL fan). A dazzling display of Cuisinarted media shards. A manifesto that that compels the viewer to consider the ways in which professional sports are an extension of capitalist exploitation and how management responds when players refuse to play management’s version of the game off the field.
— Ross McElwee, director of Sherman’s March

 

Marshawn Lynch: A History explores the silence that nonconformist NFL star Marshawn Lynch deploys as a form of resistance. Culling more than 700 video clips and placing them in dramatic, rapid, and radical juxtaposition, the film is a powerful political parable about the American media-sports complex and its deep complicity with racial oppression.

Born and raised in in Oakland by a single mother, Lynch became an All-American, an All-Pro running back, and a Super Bowl champion, but over the last five years he has emerged as a nationally significant figure precisely because he has refused to “play the game” of being a dutiful, cliché-bound interviewee. Silence-as-rebellion has African-American roots tracing back to slavery, and it’s a gesture that has flourished spectacularly in Oakland, where Lynch is deeply involved in the betterment of his hometown and where “troublemakers” have changed the game generation after generation—from Jack London and Gertrude Stein to the Black Panthers, Hells Angels, and Oakland Raiders (where Lynch is now finishing his career) to Bill Russell and Curt Flood to Alice Walker and Ishmael Reed to Tupac Shakur, Ryan Coogler, and Boots Riley.

Marshawn Lynch: A History— very loosely inspired by the director David Shields’s book Black Planet: Facing Race during an NBA Season—documents and celebrates Lynch’s attempt to be true to himself in a capitalist, racist society that wants to exploit him and that he wants to both exploit and oppose. Lynch is leaving a legacy of the eloquence of silence, echo, and mimicry as key tools of defiance. Albert Camus says, “The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion.” No one is absolutely free, but Marshawn Lynch  comes thrillingly close.

Produced, written, and directed by David Shields, New York Times bestselling author of more than twenty books, including Black PlanetNobody Hates Trump More Than Trump, and Reality Hunger. Executive producer: Danny Glover (Sorry to Bother YouHale County This Morning, This EveningLethal Weapon). Consulting producer: John W. Comerford (Icons Among Us: Jazz in the Present Tense).

 

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